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seawallrunner dilettante
Joined: 27 Apr 2005 Posts: 3309 | TRs | Pics Location: Lotusland |
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Allison Feckless Swooner
Joined: 17 Dec 2001 Posts: 12287 | TRs | Pics Location: putting on my Nikes before the comet comes |
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Allison
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Thu Jan 12, 2006 4:34 pm
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www.allisonoutside.com
follow me on Twitter! @AllisonLWoods
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greg Member
Joined: 23 Jun 2003 Posts: 1159 | TRs | Pics
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greg
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Thu Jan 12, 2006 5:12 pm
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Seawallrunner
Will look that book up too.
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Allison Feckless Swooner
Joined: 17 Dec 2001 Posts: 12287 | TRs | Pics Location: putting on my Nikes before the comet comes |
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Allison
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Thu Jan 12, 2006 5:17 pm
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This is a great bit of commentary:
Quote: | (Photographer) David Hamilton said that the difference between an amateur and a professional photographer is that the amateur thinks the camera does the work. And they treat the camera with a certain amount of reverence. It is all about the kind of lens you choose, the kind of film stock you use... exactly the sort of perfection of the camera. Whereas the professional - the real professional - treats the camera with unutterable disdain. They pick up the camera and sling it aside. Because they know it’s the eye and the brain that count, not the mechanism that gets between them and the subject that counts. |
www.allisonoutside.com
follow me on Twitter! @AllisonLWoods
www.allisonoutside.com
follow me on Twitter! @AllisonLWoods
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l Member
Joined: 24 Nov 2005 Posts: 1030 | TRs | Pics
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l
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Thu Jan 12, 2006 5:24 pm
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I'd be curious to know what type of equipment Mr. Hamilton uses. I'll bet his disdain for cameras is especially high for low-end gear.
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Allison Feckless Swooner
Joined: 17 Dec 2001 Posts: 12287 | TRs | Pics Location: putting on my Nikes before the comet comes |
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Allison
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Thu Jan 12, 2006 5:30 pm
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Some of the photog hobbyists with the best/most expensive gear turn out to be the worst photogs.
www.allisonoutside.com
follow me on Twitter! @AllisonLWoods
www.allisonoutside.com
follow me on Twitter! @AllisonLWoods
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Tom Admin
Joined: 15 Dec 2001 Posts: 17855 | TRs | Pics
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Tom
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Thu Jan 12, 2006 5:36 pm
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Was summit44 an amateur or professional?
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l Member
Joined: 24 Nov 2005 Posts: 1030 | TRs | Pics
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l
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Thu Jan 12, 2006 5:56 pm
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marylou wrote: | Some of the photog hobbyists with the best/most expensive gear turn out to be the worst photogs. |
Yeah, but show me a pro who uses crappy equipment. The point is that photography - professional photography - is a combo of art and science. The greatest eye in the world couldn't sell anything taken with an instamatic. I guess Mr. Hamilton's blithe melodramatics rankled me. Obviously skill and creativity are more important than gear. But I stand by the inference of my question.
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Allison Feckless Swooner
Joined: 17 Dec 2001 Posts: 12287 | TRs | Pics Location: putting on my Nikes before the comet comes |
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Allison
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Thu Jan 12, 2006 6:05 pm
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Quote: | The greatest eye in the world couldn't sell anything taken with an instamatic. |
See, I completely disagree with you. Both Moholy-Nagy and Man Ray used pinhole cameras extensively, and there has been a long tradition of para-professionals and professional photogs shooting with eveything from pinhole cameras to instamatics. Ansel Adams shot stuff on a Brownie.
Most of it lies in the eye of the photographer, little in the gear, IMO.
www.allisonoutside.com
follow me on Twitter! @AllisonLWoods
www.allisonoutside.com
follow me on Twitter! @AllisonLWoods
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l Member
Joined: 24 Nov 2005 Posts: 1030 | TRs | Pics
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l
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Thu Jan 12, 2006 6:48 pm
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Sure Adams shot stuff with a Brownie. But did he sell any of it? I have three of his books and don't recall seeing any. And Ansel was legendary for tweaking a single photo for days on end until getting it perfect. Just as we use photoshop to enhance our pics.
As I stated in my last post - I agree with you, it's mostly the person, not the camera. I'm referring mainly to professionals, which I assume Mr. Hamilton is. Like 99% of his tribe, I'm sure he uses expensive gear. And photoshop.
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Tom Admin
Joined: 15 Dec 2001 Posts: 17855 | TRs | Pics
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Tom
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Thu Jan 12, 2006 7:06 pm
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l Member
Joined: 24 Nov 2005 Posts: 1030 | TRs | Pics
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l
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Thu Jan 12, 2006 8:45 pm
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I just perused the site and he obviously is an artist. And that begs the question, when does enough manipulation of an image transition it from a photograph to a painting?
ML, I've reviewed our little debate and think we're discussing apples and oranges. I agree that a talentless hack could never produce quality pics no matter how expensive the equipment he/she buys. Also, if you give the exact same camera and lens to 10 different people on the same day, in the same location, etc. and compare their respective photos later, the creme will be self-evident. Here's what I'm saying: If, say, you were at an art fair and there were 2 identical photos at equal price for sale - exposed at the exact same moment with the same composition and filter - but one was taken with a $300.00 digital and the other a large format camera, which print would you buy? Ergo, the quality of gear does matter when comparing apples with apples.
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John Member
Joined: 28 May 2003 Posts: 143 | TRs | Pics Location: Edmonds |
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John
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Thu Jan 12, 2006 9:06 pm
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I treat my photography gear with reverence because it costs too damn much to replace! I imagine the real reason Mr. Hamilton and other pros can toss their gear around is because they're filthy rich.
But I agree with the point he is making. It is the artist, not his tools, that ultimately determines the quality of the work. It's the same with any other art form. There are many styles of photography, just as there are many styles of music, sculpture, painting, theater and architecture. In each of those mediums, it is not how much that is spent on instruments, chisels, brushes, costumes or bricks that defines the beauty of the work... Personally, I'd rather listen to the street musician banging away on recycled plastic buckets and glass bottles than Yo-Yo Ma playing his million dollar cello.
Different styles of art appeal to different people, and sometimes different styles do require different, more expensive tools. A print from a $30,000 Hasseblad is not automatically better than one taken from a $5 disposable camera, but the Hasselblad offers the master photographer many, many, many more options. Likewise, a painting from an artist with a variety of fine brushes and many colors is not automatically better than a painting from an artist with a single brush and a single color.
More expensive tools or gear often enable greater ease, control, efficiency, latitude and, depending on the type of expression desired, quality. But to take full advantage of the tool, the artist must master how to use them to successfully translate his or her vision and message into the medium chosen.
I hope to get there someday...
Then again, people will pay thousands for a painting by a chimp. Perhaps I just need to hire a chimp to shoot my photos for me. Then I'll be a millionaire!
John
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wbs member
Joined: 11 Aug 2003 Posts: 661 | TRs | Pics Location: Kirkland WA |
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wbs
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Sun Jan 15, 2006 3:11 am
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In reading in one of Art Wolfe's newer books "Vanishing Act", it was interesting that 95% of the photos were taken on 35mm film. The rest digital captures. In both cases, highest end Canon out of the reach of most of us however.
Amazing book I might add with a different angle on wildlife. Check it out (next time your in Barnes & Noble on a rainy day - like, uhh.. anytime this week).
http://www.artwolfe.com/cgi/shop/detail.cgi?r=BO69
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